Tuesday, September 30, 2008

What To Wear With Navy Tights

Sunday Bouvines by Georges Duby

Sunday Bouvines, written by Georges Duby, and published by Gallimard in 1973, is a true classic we should no longer have to submit, and it is presumptuous to dare present . But as it is good to try to explain why some books are just classics, I'm starting.

To listen to an audio file, click below.



Three things (at least) to remember here.

1) First, in the approach There is a side tour de force ": the chief historian of the Annales school focuses on a historical event, and not just any, the premier event, presented by generations of historians as the founding of the French monarchy. Now the school or the new anal story are built precisely on the rejection of the event, its illusions, and prefer to study the changes in long-term study of social change in attitudes. There is something fascinating to see Duby Bouvines dismantle dismantled as an alarm clock and look like it says in the preface Pierre Nora to "plant the flag of the new story on the Anapurna battle in history."

2) Next, on the bottom . After stating the facts - Sunday, July 27, 1214, King Philippe Auguste of France won in Bovines, near Lille, a landslide victory over the armies of the German Emperor Otto IV of Brunswick and its allies, especially John landless England - Georges Duby focuses on what the event says of his time, the worldview of those who were its protagonists.

We learn what a "war" in the twelfth century, the role played by money (because the first war plays a vital economic function, it moves wealth, they get rich by capturing enemies against ransom, and not to exterminate anyone is: to die in war for example, is almost unthinkable, is a modern invention). Gradually, Duby illuminates both the mental and social context of this battle.

The event confirms and crystallizes trends that go well beyond. The progress of the weapons have changed the concept of courage, conviction of war by the church leads to considerable changes. The nobles are engaged in idle tournaments to train and "keep control". At the same time the chivalrous ethic begins to form, gain autonomy vis-à-vis the religious ethics. At the same time the ranks of armies are losing a number of fighters who want no more pious endorse the profession of arms. And to replace them, the knights watched as a new population of mercenaries, rogues deemed unworthy of warfare among the people of birth, and driven only by greed, ignorant of the meaning of honor. A

Bouvines, two conceptions of combat conflict: the 'old' promoted by Philippe Auguste, and that of "modern". Bouvines victory is the victory of the former: it has to calcify the first effect of three levels of the imaginary feudal (nobility, clergy, third condition), to solidify the relationship between the French monarchy and the Church of Rome. As noted by Georges Duby, the triumph of Philip Augustus already preparing the glorious place to be that of her granddaughter, Louis IX, Saint Louis.

3) Finally, on form, one is struck by the fluidity of writing style quick, simple, clear, that is the hallmark of true scholars.

In the same spirit, we can read the little book by Alain Corbin on key dates in history France. A series of articles confronts image d'Epinal of the great dates of national history (Marignan The Battle of Poitiers) with the latest work of historians of these periods. It is always fruitful to do this work of confrontation, of what collective memory wants to retain what has actually happened. Duby also explores how the Sunday Bouvines was sometimes forgotten, sometimes celebrated, for various reasons throughout history (or to dramatize opposition to the Germans, or to lambast English. Today, in a Europe reconciled, there may be more room for memories Bouvines).

So it's a good lesson: contrary to the popular formula "to be overtaken by events" in history we learn that these are events that are often overwhelmed by the changes they reflect, for posterity by intentions of various nations. Without seeking to deny the events and their role, be aware that these are also constructions, it never hurts to deconstruct. It is in this masterly exercise that invites us on Sunday from Bovines. See also

here.

Bouvines Sunday, Georges Duby, in the collection " The days that made France ", Editions Gallimard.

Tuesday, September 23, 2008

Pokemon Hack For Mac Os X

The biennial antiques: the cult of the object surfaces













In the midst of antique, it is rarely question "Art". We speak rather of "art" here is a "beautiful object", a "rarity", an article very interesting, which belonged to "...

At first listen, this word has to be something strange, even vulgar, as if it reflected a victory for the materialistic and mercantile spirit on the notion of a work of art. This would be the sign of the influence of the world merchant cons ethics museum curators, who prefer the concept of works and masterpieces.

There were many objects in the nave of the Grand Palace between 17 and 21 September 2008, and given the barrier to entry (20 euros) it is the least we could hope . Is in contact with this medium as object concept makes sense: instead of a point of view crass materialism on art, being aware that emphasizes the ingenuity, inventiveness , virtuosity exercised first and foremost a matter, and that this matter itself becomes responsible for intentions and ideas. Objects are always signs of presence of mind, they are responsible for projects, life history. Their story is often even longer than ours, since they are most often what remains of companies when all else has disappeared. The purpose crystallizes an era, a style, a zeitgeist, and in this beautiful object name, we understand that it is not a thing.

Jacques QUINET (1918 - 1992)
Weekly (1969) : Lacquer Beka red and bronze gunmetal patina ,
pair of lampposts (1960) : gilt bronze and lacquer red Beka. Galerie Olivier Watelet

Monday, September 15, 2008

Allergic To Listerine Whitening Wash

Kiwi-Kiwi

How Long To Metronidazole Works

Trailer - Clip 08 professional encounters VIA

Thursday, September 11, 2008

A Funny Name For A Fake Disease

Kiwi - File

Download document: File Kiwi
Read the online application:

Get your own - Open publication

How To Drawdgk Graphic

Kiwi - What the press says ...

MAIL (Swiss daily) ~ Julien Lambert
Saturday, July 26, 2008

Soliloquies and vibrant youth group productions are the extremes to explore the ocean's festival off d'Avignon. They rehabilitate emotion and personal investment in the artistic spectrum. Selection

(...) Thus, the "off", he revealed some wonders of symbiosis between a particular framework and an address intense, which also involves a Working actor - in terms of personal investment - going beyond the theater. Coincidentally, they are often the work of non-hexagonal francophone.

(...) Kiwi is not a monologue, but it closely resembles it. Part of Quebecers Daniel Danis follows the stories of two real-time street children. Another topic atrocious other artistic means to humanize, paradoxically. On the darkened stage, an infrared camera continuously tracks the faces of the actors, almost invisible. Yet the only conscious of their presence gives expertly saved a soul to the screens.

Language Danis, simple and poetic, with the exception of a few changeovers in the pathos, there is a corresponding visual smooth and disturbing, yet accentuated the rare ability of actors to open their faces . "It's like telling stories, alone in her bed", says the actress Marie Delhaye after the show. Or how to thwart the excesses in putting technology to the service once the game really

CROSS ~ Didier Méreuze
Saturday, July 26, 2008

"A AVIGNON, THE BEST OF OFF. In an unequal offer, here are some choices of entertainment in the form of strokes heart

... If not all are of equal interest, it is nevertheless a happy surprise. Starting at the Theatre de la Manufacture, by Kiwi , shattering descent into the underworld of street kids, Daniel Danis of Quebecers whose site of La Croix has already echoed. "

ECHOES ~ Gilles Costaz
Monday, July 28, 2008

... Among contemporary writers, Quebec's Daniel Danis was strong in the use of new techniques with Kiwi , the story of destitute children living in the margins of a criminal society: players play behind screens and are seen only through the images filmed live "

THE CROIX.com ~ Didier Mereuze
Thursday, July 10, 2008

"a hard part but hopeful

Among the thousands of shows off this year, it is not always easy to find happiness. But there is the part of Daniel Danis: "Kiwi".

Daniel Danis is an author that are well known in France for several years. This is a Quebecer who has the distinction of having worked there 15/20 years as a lay missionary at an orphanage founded by an English clergyman. This detail is not the story as it corresponds to the spirit of his writing, which focuses on people a little lost, to those in pain, people in the thirst of love.

is what we find in any theater that has been seen in France since 1995 with pieces like "Ashes and Stones", "Le chant du Dire-say" or "The Language-in -Language Dogs rock. " Daniel Danis has been assembled including Alain Francon, which is a reference and Theatre Open Lucien Attoun.

There, in my case, this is the first time I see him as director-en-scene.
Initially, this piece might be quite commonplace. This is the descent into the depths of street kids a little girl who lives in a slum will be demolished to prepare for the Olympics. Abandoned by her family, she will be alone until a young band recovers and leads to their families. We think a lot to "Les Miserables" and Gavroche except that Victor Hugo wrote in the 19th century and here we are in the 21 th century but things have not changed much.

mean the whole litany of these street kids who sniff glue, steal, prostitute themselves and, in fact, dream of creating a sort of phalanx of utopian life. In general, it ends badly when it ends there pretty well. There will be a resurrection, which is symptomatic Danis. Beyond this story is beautiful, without sordid and uncompromising, this is interesting work on both the text and video.

A video that is never a bidding war over the image and on the actors. These disappear, appear on the screen with blends archival and processing of images that give a poetic journey, very violent but loving. It's really very beautiful and the actors, Amann Baptiste Marie Delhaye are too. In history, there is a maturity, outlook on life is terrible, a mixture of old and lived the life of innocence. And even when talking about prostitution, drugs, it is with affection and hopeful. "

WEBTHEA ~ Jean Grapin
Thursday, July 17, 2008

" ... The text of the dimension Danis a tale both cruel and unrealistic. It would be tragic if he did not show the good side of things, necessarily. The hope, nevertheless, is tender, always. Serving this writing, the staging that combines gaming and film screenings, brings a rare balance sobriety where intimacy prevails on the spectacular. Surprisingly, the video brings a subtle aura, extra emotional. The cameraman takes the place of a puppeteer. Shielding, it portrays. The actors, who play in the dark, intermittently appear as extras in the interstices of their projected image, like so many close-ups of their being. This co-presence of actors and the image is a rare effect to be welcomed: there is the new territories. "

THE MONDE.fr ~ Martine Silber
Thursday, July 24, 2008

Marathon without (too much) trouble of La Manufacture, this singular place well off as its director Pascal Keiser said in an interview with Emile Lansman, and take a shuttle since some of the scheduled performances take place outside the walls of the rink Foncouverte.

It was worth it. Kiwi is a collaboration between Quebec and Belgium's Daniel Danis Benedict Dervaux who worked for the show on France 3 and Striptease with brothers Dardenne. While Daniel Danis wanted to tell the story of Kiwi girl who finds refuge in abandoned a band of street children he met Benedict Dervaux who filmed a documentary on street children in Romania after the fall of Ceauscescu. Their collaboration can mix storytelling and reality, theater and film. Both young actors are filmed live on stage with an infrared camera while marching behind these images sometimes, sometimes pre-filmed images. The story of Kiwi is terrible and does not end though because the film was originally intended for a teenage audience. We preparing the Olympic Games in the city where they live and must clear the trash. The authorities have ordered the police to evacuate slum dwellers to be destroyed. The police chased the children in the best case in prison, but does not hesitate to kill them. To survive, these children and adolescents who have formed their families and all bear the name of a fruit or vegetable, beg, steal and prostitute themselves to earn enough to survive and fulfill their dream of buying a house. "

THREE STROKES
Uploaded Saturday, July 26, 2008

In Kiwi, Daniel Danis, one of the most performed playwrights in Quebec and abroad, focuses on street children. This is a shocking piece, an original show and absolutely necessary that should interest a wide audience (from 13 years) for the subject, of course, but also his treatment, which places a strong visual arts. The play begins as Kiwi has twelve years and ended the year fifteen. Three-year nightmare that ends like a fairy But (...) The film language is virtuosic: angles, framing, perspective, height, fuzzy grain of the image, rhythm, everything is carefully thought out. And formal mastery of this show is quite fruity and flowery language of Daniel Danis.

Writing very colorful, bright, open to better horizons. Because, with this remarkable "movie theater", the reality, took in the face, rubs to modern tale.

Tuesday, September 9, 2008

Sample Church And Anniversary Ads

Kiwi - Tour 2008/2009

>>> UPCOMING DATES:


> Festival Mythos

27 and April 28 at 19:30

> Festival Augenblick Mal!

May 6 at 14h and 20h



PAST DATES>>> NOVEMBER

Quebec Tour

> Room Medusa - Quebec
24 and November 25

> Usine C - Montreal
26 and November 27

> Salle Pierrette Gaudreault - Saguenay
28 and November 29

>>> December

> Centre Wallonie Bruxelles - Paris (75) - France
From 11 to 13 December

>>> February

> CDN Montreuil - Montreuil (93) - France
February 10

> The Milling - Marseille (13) - France's
12, 13 and 14 February 2009

> Maison de la Culture, Tournai - Tournai - Belgium

February 17

>>> MARCH

> Eden - Charleroi - Belgium
From March 2 to 6

> Germinal Area - Pits (95) - France
March 20

>>> APRIL

> Festival Tilt! - le manège.mons
You are an au 3 avril


Monday, September 8, 2008

Halloween Gay Cruising Areas In Nj

Richard Avedon

When Richard Avedon made his first photographs, fashion photography is dominated by an aesthetic stiff, strict, rigid, motionless in presenting models of housing Suppers agreed. As it is said at one point of the exhibition, Richard Avedon opposes everything formalism a series of "no", which will soon become the foundation of his aesthetic. No need for decorum, not the frozen smiles, in conventional poses, yes basically naked, yes to the portrait, yes to the truth of what passes between subject and photographer. Exposure of the tennis court offers its visitors a wonderful opportunity to explore one by one the pillars of this aesthetic universe, the foundation of all contemporary photographic imagery, which is also indicative of an era of its aspirations and its stars.

The peach organizers is simple: Richard Avedon will release the codes of fashion photography in Paris in the years after the war: more movement, more life, the models are smiling, the draped float brief scenes Parisian life exposed in the minimalist decor where every sidewalk is a stage, each troquet a ballroom. It is not surprising to find cartel cartel after the name of Christian Dior, another deliverer of fashion after years of deprivation. Avedon likes to associate the world of haute couture with the less glamorous games of the circus, back-room bar tabac, where ladies of the world slum it in the company of neighborhood bullies. This association between evening dresses and elephant hats and jugglers, the height of chic, and freak universe was born an imaginary new, powerful, at once joyful and mysterious, which found echoes in today's new luxury communication.

"In the American West " Avedon permanently install the pantheon of contemporary artists. Recognized upon its publication as a masterpiece, the series presents the faces of people in the western U.S. suffered a very severe recession in the early 1980s: homeless, bums, miners, workers in fields operating oil, waitresses, ignored the great American dream. Most vibrant portraits of humanity than the other, leaving each a bittersweet feeling itself staggering. On white background detached from their social affiliation, which has yet sometimes cruelly marked their clothes, their faces, their hands, the homeless have the air of movie stars, supermodels and waitresses. Time for a picture, in this face-to-face with an individual hypnotic, undecorated, photography will be redistributed to some of them maps of the social destiny. And sometimes not.

Throughout this journey of nearly 300 photographs, tracing the entire career of this great artist, visitors can appreciate the density and consistency of work. Not a star in the world of show biz, literature or art of the second half of last century not missing, tenants of the fantastic factory of Andy Warhol to Björk, Marguerite Duras Giaccometti, to Marilyn Monroe, The Beatles, Stravinsky ( Perhaps one of the most beautiful in the show). It is a wonderful opportunity for a profound moment of humanity. Striking. It is hoped that those interested or are becoming interested in photography should rush, or they will surely regret it.

Richard Avedon, Photographs 1946-2004, July 1 to September 27, 2008, the Jeu de Paume (Concorde) Paris.


See also here, a nice interview

Homage to Munkacsi. Carmen. Coat by Cardin. Place François-Premier. Paris. August 1957. © Richard Avedon

xx

Clarence Lippard - Drifter
Insterstate 80, Sparks, Nevada 08/29/83

Igor Stravinsky, NYC, 11/69. Richard Avedon, courtesy Avedon Foundation, The New York Times